The Baptism of Christ, c.1597/00 | El Greco | Painting Reproduction
The Baptism of Christ, c.1597/00 | El Greco | Painting Reproduction

The Baptism of Christ, c.1597/00
Domenikos Theotokopoulos El Greco (1541-1614)

Location: Prado Museum Madrid Spain
Original Size: 350 x 144 cm
5/5 | 1 Review
Examples of Quality - Video

Oil Painting Reproduction

SKU: GEL-16751
Painting Size: $6335.37
$5355    Add to Cart
Entirely Hand-Painted
Painted by Academy Graduated European Artists
Museum-Quality
+ 4cm (1.6") Borders for Stretching
Creation time: 8-9 weeks
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We create our paintings with museum quality and covering the highest academic standards.
Once we get your order, it will be entirely hand-painted with oil on canvas.
All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4cm) additional blank canvas all over the painting for stretching.

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High quality and detailing in every inch are time consuming. The reproduction of Domenikos Theotokopoulos El Greco also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

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The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

Reviews (1)


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Gygy
El Greco - Baptism of Christ

An accentuated, almost dizzying vertically develops in three leaps from the ground, from the kneeling Christ to the flight of angels to the symbol of the Holy Ghost. Compositional elements derived from Italian sources (linked diagonals, connection by means of triangular and rectangular figures, converging and diverging ellipses) persist, but these themes are invested with a new impetus by the pictorial technique which burns like a fuse over the surface. All traditional rules of painting are broken. The artist alters or contradicts dimensions, creates protruding masses or deep chasms on the canvas, pushes relationships almost to the breaking point. The picture is not frontal; it penetrates in a swift diagonal towards the upper part of the composition.

The thrust is accompanied by leaps or jumps which - if they still have Tintoretto as an antecedent - are produced in new ways. Light traverses the image with a kaleidoscopic variety and transmutes masses of colour and texture into radiance.
21st November 2015 7:58pm

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