Portrait of Ginevra de' Benci, c.1474/78 | Leonardo da Vinci | Painting Reproduction
Portrait of Ginevra de' Benci, c.1474/78 | Leonardo da Vinci | Painting Reproduction

Portrait of Ginevra de' Benci, c.1474/78
Leonardo da Vinci (1452-1519)

Location: National Gallery of Art Washington USA
Original Size: 38.8 x 36.7 cm
Examples of Quality - Video

Oil Painting Reproduction

SKU: VIL-1008
Painting Size: $1538.76
Entirely Hand-Painted
Painted by Academy Graduated European Artists
Museum-Quality
+ 4cm (1.6") Borders for Stretching
Creation time: 8-9 weeks
Ships Free!
×
Free WorldWide Standard Shipping (15-25 business days) $0.00 USD

DHL (3-4 business days)

The price for DHL shipping depends on the weight, the volume, and the destination of the parcel. After adding of the painting to the shopping cart, you can check the price of the shipping services.
If you want a size which is different from the one being offered, please contact us.

We create our paintings with museum quality and covering the highest academic standards.
Once we get your order, it will be entirely hand-painted with oil on canvas.
All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4cm) additional blank canvas all over the painting for stretching.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we can't risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.
High quality and detailing in every inch are time consuming. The reproduction of Leonardo da Vinci also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.
Once the painting "Portrait of Ginevra de' Benci" is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

We offer free shipping as well as paid express transportation services.

After adding your artwork to the shopping cart, you will be able to check the delivery price using the "Estimate Shipping and Tax" tool.
Over 20 Years Experience
Only Museum Quality
The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.
The influence of Flemish style and pictorial forms, which may be seen in Leonardo's Madonna with the Carnation and in his later Adoration of the Magi is seen at its most striking in the Portrait of Ginevra de'Benci. This portrait is the first fixed point of reference in the ceuvre of Leonardo the painter: it is the earliest extant work for which we have reliable documentation and information. Much more than his religious paintings so far, it breaks away from the pictorial conventions of the Verrocchio workshop - not least in the fact that it is his first secular painting. The most remarkable feature of this small portrait is the closely packed distribution of the pictorial space. The young woman, Ginevra de'Benci, close to the front edge of the picture, is sitting in front of a juniper bush, which seems to surround her head like a wreath and obliterates a large part of the background. Comparable 'close-ups' were already to be found in Flemish portraits, as first painted by Jan van Eyck a generation earlier and popularised by Hans Memling. Similarly, the format - cut off at the lower edge - and the very natural appearance of the juniper plus the position of the figure are all reminiscent of earlier Flemish portraits. The young woman's upper body, virtually diagonal to the picture surface, contrasts with her head which is turned almost completely towards the viewer, with the result that - despite her rather listless expression -she does radiate a certain dynamism. It is perhaps worth noting that Ginevra's interesting pallor is not determined by artistic considerations but a symptom of a sickly constitution as some sources would have it.
The juniper in the middle-ground indubitably dominates the portrait of Ginevra and is more than an ornamental accessory, for - like certain other plants - the juniper was a symbol of female virtue. Furthermore, the Italian name 'ginepro' was not unrelated to the name of the sitter, Ginevra. There is a complex sequel to these allusions on the reverse of the portrait which is, unusually, also painted. There, on imitation red porphyry marble, we see laurel, juniper and palm branches linked to each other by a swirling garland with the words VIRTUTEM FORMA DECORAT: 'Beauty adorns Virtue'. The inscription, the plant-attributes and the painted marble all underline the connection between beauty and virtue. With its imitation of red, immensely durable porphyry marble - in itself a remarkable substance - the reverse of the portrait speaks of the resilience of Ginevra's virtue. The laurel branches and palm fronds, framing the garland with its inscription, are associated with Bernardo Bembo who commissioned the painting, for both featured in his own personal arms. The juniper in the centre, growing from the garland, is yet another allusion to Ginevra's name and the virtues of chastity and faithfulness. At the same time the evergreen laurel points to Ginevra's aspirations as a poet, which we know of from Bembo and other writers. The palm frond, too, is a traditional symbol of virtue. The inscription VIRTUTEM FORMA DECORAT, so closely intertwined with the plants as symbols of virtue, makes the connection between beauty and virtue, which was a topos of contemporary literature reflected here on the front of this portrait, where Ginevra's gentle beau*y is also to be understood as an expression of her virtue. The front and the reverse of this portrait could hardly be linked more closely.

Reviews

Be the first to write a review.

Add Review

Write your review here!
Title: Lady with an Ermine (Cecilia Gallarani)
Artist: Leonardo da Vinci
SKU: VIL-1009
Original Size: 53.4 x 39.3 cm
Location: Czartoryski Museum Krakow Poland

Lady with an Ermine (Cecilia Gallarani)

1496
Oil Painting
$1472
Canvas Print
$49.34
Title: Mona Lisa (La Gioconda)
Artist: Leonardo da Vinci
SKU: VIL-1010
Original Size: 77 x 53 cm
Location: Louvre Museum Paris France

Mona Lisa (La Gioconda)

c.1503/06
Oil Painting
$1759
Canvas Print
$48.87
Title: St John the Baptist
Artist: Leonardo da Vinci
SKU: VIL-1011
Original Size: 69 x 57 cm
Location: Louvre Museum Paris France

St John the Baptist

c.1513/16
Oil Painting
$1341
Canvas Print
$92.46
Title: La Belle Ferronniere (Portrait of a Lady from the Court of Milan)
Artist: Leonardo da Vinci
SKU: VIL-1012
Original Size: 63 x 45 cm
Location: Louvre Museum Paris France

La Belle Ferronniere (Portrait of a Lady from the Court of Milan)

c.1490/95
Oil Painting
$1250
Canvas Print
$66.65